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- FROM THE PUBLISHER, Page 17
-
-
- It was a Friday nine weeks ago, and another issue of TIME
- was headed toward the presses. Suddenly came the news that
- Emperor Hirohito of Japan had died. As the magazine's editorial
- staff tore up its story list to accommodate several pages of an
- obituary, makeup editor Charlotte Quiggle faced a different
- kind of revision. Her job is to develop a plan for the sequence
- of all the editorial and advertising pages each week so they
- make a smoothly readable magazine. TIME's advertising staff
- immediately told Japanese advertisers that they were free, if
- they wished, to cancel ads in that issue as a mark of
- deference. Several Japanese companies did so, leaving three
- blank pages. Within hours Quiggle rejuggled the book, as it is
- called, into a successful new combination. "Every week brings
- a unique set of problems," she says. "The trick is to solve them
- quickly."
-
- This trick seems to come easily to Quiggle, who joined TIME
- in 1979 and served as cover art researcher from 1980 to 1984 and
- deputy makeup editor from 1981 to 1986. She became makeup editor
- three years ago, but claims her natural affinity for the work
- goes back much further. "As a kid I seldom lost at bridge.
- That's why I got the job," she says half jokingly. "It requires a
- knack for puzzle solving." Not to mention diplomacy and stamina.
- Quiggle works closely with the magazine's advertising staff to
- help coordinate the fast-moving mix of articles and ads that
- appears in TIME and its nine international editions.
-
- Overall, Quiggle is guided by one rule: Emphasize the
- editorial design. Beyond that, there are only a few absolutes,
- such as the requirement that only the first news section and
- the cover story must open with at least five consecutive
- editorial pages. One of Quiggle's most delicate duties is to
- separate stories and ads on similar subjects. "You don't put a
- story about an air crash on the same page or the facing page
- with an airline ad," she explains.
-
- When a conflict between an ad and an article does arise, the
- ad is usually the one to be moved. "Makeup is where church (our
- editorial staff) meets state (our business interests)," says
- Quiggle, but given her skills (we do not recommend challenging
- her at backgammon, either), that's only one more solvable
- puzzle.
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